A guy tries to get over a breakup by making a documentary about himself.

Architect Fabián Danubio desperately tries to find his daughter, who has inexplicably disappeared leaving no trace.

Eric Cameron chronicles the relationship between Star Wars Episode VIII: The Last Jedi and the quaint town of Dingle, Ireland where it was filmed.

A family on the run from a corrupt state takes refuge in a safe house with an evil past — a terrifying last stop on a near-future Underground Railroad.

Buenos Aires, during the summer heart, in gated communities surrounded by wastelands covered with trash. The barking of stray dogs, repeated power outages, and uncontrollable clouds of smoke drive the inhabitants to confront their most primitive instincts.

Sheela, an English activist of Indian origin, learns that her father has died, devoured by a tiger! Despite her hatred for this father who returned to India thereby abandoning her and her mother, Sheela and her husband go to India to sell the property she inherited. When they arrive, they encounter Bindu, a white hippie, who declares himself to be her father’s spiritual son, and who claims his right for the property. Not without charming Sheela…

A vindication of the role of the technicians and artists who made spaghetti western genre possible, and a walk through the landscapes that made it possible to recreate in Spain, mainly in the desert of Almería, hundreds of adventures set in the remote American Far West.

The year is 1879. Gunfighters from the far reaches of the globe descend on Religion, AZ to compete in a legendary poker tournament. Drawn by the gold prize, the players come to realize that in this game, their very souls are at stake.

A man struggles to find out the truth behind his identity while fighting an evil army.

Exhibition 　　Stepney Western (United Kingdom, 2025) by Harry Lawson is a documentary made in collaboration with a group of young horse riders from the inner city Stepney Bank Stables in Newcastle, sits at the porous boundary between fact and fiction, combining recontextualised iPhone clips shot by the riders, archival material from North East Film Archive and Lawson’s own footage.